There have been few artists whose lives have been more thoroughly dissected than Vincent van Gogh.
The enormous range of fiction and non-fiction books, movies, plays and music inspired by his life and art could fill a library all by itself. Almost as fascinating as the details of his mental illness and how it shaped van Gogh's life was the speculation over the exact diagnosis involved. Considering the bizarre set of symptoms that he displayed, especially during the ten prior to his death on July 29, 1890., medical experts and biographers have suggested possible medical diagnoses including neurosyphilis, schizophrenia, bipolar disorder, epilepsy, and even poisoning due to his chronic absinthe use. The
only actual clues to what motivated Van Gogh's mental deterioration are the letters that he wrote to his brother Theo and sister-in-law, Johanna.
Those letters make fascinating reading, not only by the glimpses that they provide into the life of a struggling artist but also the changes in his personality that preceded many of the bizarre episodes that have made him famous. Johanna Van-Gogh-Bonger, Theo's widow, admitted in her introduction to her 1913 book that she was uneasy about her decision to publish the Van Gogh letters. She expressed her very real fear that her brother-in-law's dramatic life might well overshadow his artistic work (and she was likely right).
For all Van Gogh's amazing art, it is almost certainly the mythology surrounding his life that has driven the fascination that he still holds today (and makes his paintings fetch such amazing prices in international art aucti0ns). As many biographers point out, Van Gogh's chief ambition was to be a "painter of modern portraits" who enjoyed portraying peasant life but he is largely seen as a madman who died for the sake of his art.
A Gift For Rachel
Although Vincent Van Gogh had numerous episodes of mental illness during his lifetime, the most notorious one occurred when he cut off part of his left ear while living in the southern French city of Arles. By late 1888, Van Gogh and Paul Gauguin were sharing rooms in Arles at the now-famous Yellow House and their strained relationship made life difficult for both of them. As Vincent described in a letter that he wrote to Theo on December 23, 1888, " I think that Gauguin was a little disenchanted with tje good town of Arles, the little yellow house where we work, and above all with me. Indeed there are serious problems to overcome here still, for him as well as for me... But these problems lie more in ourselves than anywhere else." Although Vincent added that "Gauguin is very strong, very creative, but he needs peace precisely because of that. Will he find it elsewhere if he doesn't find it here? I await his decision with absolute equanimity", what happened later that day suggested that his relationship with Gauguin exploded in a way that neither of them anticipated.
After Gauguin returned from a walk through a nearby garden, Van Gogh suddenly approached him and threatened him with a straight-edge razor. Although Gauguin managed to calm him down, he wisely decided to spend the night in a hotel and left his roommate alone. Later that same night, Van Gogh went to an Arles brothel and asked for Rachel, a favourite prostitute of his. He then gave her a piece of his earlobe that he had cut off, carefully wrapped in newspaper. After asking Rachel to "keep this object carefully", he then staggered home. Gauguin found him the next morning unconscious in his bed which was covered in blood. He then contacted the police and Van Gogh was taken to a local hospital. Although the actual police reports are long gone, Theo rushed to Arles after Gauguin sent him a telegram. While in the hospital, Van Gogh was treated by a sympathetic doctor and his condition was stabilized. Considering this was in an era before blood transfusions and antibiotics were available, he likely came close to dying.
In a note that Van Gogh wrote to Theo on January 2, just a few days after the ear-mutilation incident, he played down what had happened. He also added that "I hope that I have had no more than a perfectly ordinary attack of artistic temperament, followed by a high fever as a consequence of the loss of a very great deal of blood because an artery had been severed" Despite being open about his physical recovery, and the excellent medical care he received in hospital, his main concern was dealing with insomnia. He was also honest about what the episode meant for his career as an artist. Closing the note to Theo, he said "If I recover, I must start afresh, but I shall never again be able to reach the heights to which the [mental] illness to some extent led me...".
Van Gogh also wrote letters to Gauguin in which he tried to make amends for threatening him and even made an attempt to see Rachel to apologize for his actions and the "gift" he left for her. As he pointed out to Theo in a February 3, 1889 letter, "Yesterday I went to see the girl to whom I had gone when I was off my head. they told me that theres nothing surprising about things like that in this part of the world. She'd been upset and had fainted but had regained her composure And indeed, they spoke well of her. But it won't do for us to think that I am completely sane. The people from round here who are ill like me have told me the truth. You can be old or young, but there will always be times when you take leave of your senses. So I don't ask you to tell people that there is nothing wrong with me, or that there never will be... as long as you have no false shame and say frankly how you feel, you cannot go wrong".
Although he was was formally discharged from hospital on February 17, his long road to recovery was only beginning. For all that Vincent Van Gogh is a major Arles tourst attraction today, the people of Arles were understably leery of his staying there after the ear-mutilation incident.
To be continued